Flobots - "Handlebars" (the parody)

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  • proph^

    #1

    Flobots - "Handlebars" (the parody)

    “Silencer”
    Parody of “Handlebars” by Flobots
    Written by Sean “propH^” Adams (#opus-x) (aka "minnesota" ESEA)
    07/15/08


    (I recommend playing the song as you read through the lyrics to avoid missing some of the satire - you can find the Handlebars video by searching on [link="http://www.youtube.com"]http://www.youtube.com[/link])

    I can shoot my colt with no silencer
    No silencer
    No silencer

    I can shoot my colt with no silencer
    No silencer
    No silencer

    Look at me
    1 v 3
    Bombs on the ground and it's good to be
    ALIVE
    And I'm a famous fragger
    Even tho' my friends are all thirteen
    I can show you how to block the door
    I can show you how to bind voicerecord
    Kyle can take apart the great X3
    But Team3D put ‘em back together
    I can try to not get a forfeit win
    I can tell you about Ronald Kim
    I know all the boosts on de_inferno
    And I can hold inner on de_train
    Me and my friend can super boost
    Me and my friend made a frag vid
    And guess how long it is
    I can do anything that I want cuz, kids

    I can rush middle with a deagle
    With a deagle
    With a deagle

    (And) I can shoot your face through the double doors
    Through the double doors
    Through the double doors

    Look at me
    1 v 3
    Just team flashed and it's good to be
    ALIVE
    And there’s such a small chance cuz
    They’re all stacked up in bombsite B
    I can spend money on ESEA
    I can make a living off of Cevo-P
    I can design a strat that would pwn u
    And make ur whole team mad at me
    I can make new FPS configs
    I can make computers survive unstable conditions
    I know how to run a CAL squad
    And I can make YOU really want to tryout
    Starters, ringers and roster riders
    Me and my team will pwn the future
    I know the admins who control the systems
    So I can do anything with no assistance

    (Cuz) I can spam ur vent with a microphone
    With a microphone
    With a microphone

    (And) I got CAL-I proof on my SteamID
    On my SteamID
    On my SteamID

    Look at me
    Toggling
    Haxing and I won't stop
    If I just keep camping
    Then I’ll be on top
    My cheat is private
    My aimbot secure
    My walls are hidden
    My headshots are pure
    I can screw my team and avoid rotations
    Or let 'em all cry with their explanations
    Have 'em all fail with their expectations
    Have 'em all post on CS-Nation
    I can flame anybody on the forums
    Just because I don't like 'em
    (And) I can type anything with no permission
    (Cuz) I’m not afraid of my mom and dad

    (And) I can piss you off with my flashlight
    With my flashlight
    With my flashlight

    (And) I can kill my target with a no-scope
    With a no-scope
    With a no-scope

    (And) I can win CAL-O as a UNICORN
    As a UNICORN
    As a UNICORN
    As a UNICORN
    As a UNICORN
    As a UNICORN

    I can shoot my colt with no silencer
    No silencer
    No silencer

    I can shoot my colt with no silencer
    No silencer
    No silencer

    Fin.
  • proph^

    #2
    I guess I'll do my best to explain my thought process in the design of this parody. Keep in mind I used to love "Weird Al" Yankovic [link="http://www.weirdal.com/-"]http://www.weirdal.com/-[/link] that guy is crazy retarded and his work is unmatched.

    There are a few keys to making a good parody:

    1. The Song
    If you are going waste your time doing something as unproductive as writing a parody for an e-audience, you might want to pick a song that people are familiar with. Better yet, pick one that is “hawt” so that you have a better chance on affecting a larger group of people. Also consider picking a song that has a particular meaning or angst so that when you flip the meaning it will produce an equal amount of energy in the new direction of your choice. I picked “Handlebars” for two reasons; its hawt, and the anti-establishment overtones help to draw lines which are easily teased when the story changes.

    2. The Story
    Replace the story with something that other people can identify with. Consider the psyche of your target audience, what are the "hot buttons" that those people will be forced to consider emotionally. It's kind of like tickling, but not from your shady uncle.

    Example:

    My cheat is private
    My aimbot secure
    My walls are hidden
    My headshots are pure

    Obviously cheating is one of the most talked about issues today, and everybody has a vested opinion about it. Much of the parody is creating a pseudo-realistic character, almost like a villain or an outcast so that the listener is drawn to the satire at the direct expense of that being. I imagined that more people (like myself) hold a disdain for those who cheat (UTP), so at the climax of the song is peaking the emotional interest of the listener. UNICORNING cheaters!

    3. The Rhythm
    Try your best not to disturb the rhythmic fluidity of the song. This requires that you dissect each line into syllables. This task is truly the most difficult because trying to replace those words without ruining the rhythm can be a bear.

    Example:

    (1)I (2)know (3)all (4)the (5)words (6)to (7)De (8)Co (9)lor (10)es
    (1)And (2)I'm (3)Proud (4)to (5)be (6)an (7)A (8)mer (9)i (10)can

    Replaced by:

    (1)I (2)know (3)all (4)the (5)boosts (6)on (7)de_ (8)in (9)fer (10)no
    (1)And (2)I (3)can (4)hold (5)in (6)ner (7)on (8)d (9)e_ (10)train

    Notice that I chose to not separate the “de_” in the first line in order to try to retain the word-sync to the original song â€" so when he says “De”, you are saying “De”. You have to have a balance of creativity and integrity in following your determined rules.

    4. The Rhyme
    In addition to the rhythm of a line, is the rhyme. If you do not replace a key word (typically the last word of a line) with another that sounds similar, you can halt the entire process. Keep in mind that your listener is likely very familiar with the actual verse that you are altering. Try to locate the more significant words in the song, replace them with a word which ties to your story and then build the rest of the line. It’s kind of like working a maze in reverse. Try not to replace every word in the song, in fact it works in your favor to retain as much of the original song as possible without being lazy about it. Some of the words that you might keep are the ones at the beginning of a given verse or the ones that the original song exaggerates.

    Example:

    “Look at me” and “ALIVE”

    This rule however is no different than any of the others. If you cannot seem to find a suitable replacement word or group of words, then change that CPL and UNICORN it!

    5. The Concept
    Try to attach similar concepts to the lines that you replace (when possible). This is more of a “cherry on top” rule. If you can do most of the things I just mentioned AND change a line to something that relates to the original, well then you struck comedy gold!

    Example:

    Original:
    I can tell you about Leif Ericson

    Modified:
    I can tell you about Ronald Kim

    [link="http://en.wikipedia.org/wiki/Ronald_%22Rambo%22_Kim"]http://en.wikipedia.org/wiki/Ronald_%22Rambo%22_Kim[/link]

    U see wat I did thar? Btw, I played with Ron on riotsquad. He is really cool irl.

    6. The End
    Have fun with it, and ignore the haters. Because…

    Haters don’t love
    What haters don't hate
    What a hater don't know
    Is that haters are fake
    They hate just to front
    Like their stacked in the pack
    But lovers all know
    That haters ... well they have really small penises.

    Comment

    • Sintra
      Member
      • Aug 2026
      • 0

      #3
      k

      Comment

      • JediArtist88

        #4
        <thunderous applause>

        Well done.

        Comment

        • proph^

          #5
          lol

          Comment

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